The Social Predestination Room.

Aldous Huxley

Dolphins - M.C. Escher (1923)

THE HANDS of all the four thousand electric clocks in all the Bloomsbury Centre's four thousand rooms marked twenty-seven minutes past two. "This hive of industry," as the Director was fond of calling it, was in the full buzz of work. Every one was busy, everything in ordered motion. Under the microscopes, their long tails furiously lashing, spermatozoa were burrowing head first into eggs; and, fertilized, the eggs were expanding, dividing, or if bokanovskified, budding and breaking up into whole populations of separate embryos. From the Social Predestination Room the escalators went rumbling down into the basement, and there, in the crimson darkness, stewingly warm on their cushion of peritoneum and gorged with blood-surrogate and hormones, the foetuses grew and grew or, poisoned, languished into a stunted Epsilonhood. With a faint hum and rattle the moving racks crawled imperceptibly through the weeks and the recapitulated aeons to where, in the Decanting Room, the newly-unbottled babes uttered their first yell of horror and amazement.